Sunday, April 29, 2018

Tales of Suspense 40


Iron Man versus Gargantus!
by
Stan Lee, Robert Bernstein, Jack Kirby & Don Heck
Cover by Jack Kirby


In the time since becoming the newest superhero around, Tony Stark has remained active in all aspects of his life. Receiving accolades for his inventions, developing new technology for the United States military, dating a myriad of women and taking on all sorts of criminals as the armor clad Iron Man. He is growing to find that keeping his identity as the hero a secret complicates the other facets of who he is; making lame excuses to avoid taking his shirt off to reveal the chest armor underneath that is keeping his heart from rupturing when he is on dates and having to frequently charge it.


Tony has brought a date to the circus. As they sit among the audience, a pack of wildcats break free from the performers. Making a lame excuse, Tony tells his girlfriend Marion that he is calling the police. In actuality, he is putting on his armor suit in order to confront the dangerous felines.


As he stalks through the crowd towards the cats, the audience gape as Iron Man’s hideous grey-colored armor which frightens them. Reaching the performance stage, Iron Man body slams a rushing leopard with enough force to smack it into the other cats. Getting them all to pile on top of him, Iron Man lets loose with an electrical charge just powerful enough to stun the animals. With the beasts all in shock, the performers corral them back to their cage and thank Iron Man for his help.


Returning to Marion, the two of them discuss Iron Man’s scary, bulky, grey suit. Tony inquires what she would do to improve him. Marion explains that since he seems like a modern age knight in shining armor, he should have gold armor to match his golden heart. While seeing her off at the airport to her home in Granville, the couple make plans for next Saturday. That night Tony goes to work on improving his armor’s image. He coats the entirety of the suit in untarnishable gold paint. No longer will citizens fear the presence of Iron Man.


When next Saturday comes around, Marion fails to show up at the airport. Tony questions the pilot. He alerts Tony (who had been busy working on projects in Africa all week long) to the news that Granville’s airport has been shut down for three days. The next day, Tony arrives in Granville as the gold-plated Iron Man.  He finds the town to be completely enclosed by a thick, brick-lined wall. Iron Man uses his transistor powered drill to burrow a tunnel underneath the wall to infiltrate the town.


As soon as Iron Man emerges from the hole, citizens of Glenville start pelting him with objects.  They inform him that they must obey Gargantus. Blustering through the town to get away from the crowds, Iron Man stumbles upon a group erecting a statue of what appears to be a prehistoric neanderthal, who he takes to be this Gargantus the people speak of. Finding a nearby semi-truck, Iron Man uses his armor’s strength to shove the vehicle directly in the path of the statue. After the statue breaks, the people still praise the fallen idol of Gargantus.


Realizing that the entire town must be under some sort of trance, Iron Man challenges the real Gargantus. Calling him out with his built-in speakers, Gargantus quickly makes his presence known. Springing off a flagpole, the neanderthal flings himself up on a rooftop to confront the hero. His eyes start glowing.  Realizing this is how he is hypnotizing people, Iron Man diverts his gaze to a cloud that he notices is blocking out the sun. This makes Iron Man start to develop a theory. Grabbing a nearby flag, Iron Man takes note that the flag banner is rippling in the breeze. Like a bull to a red rag, Iron Man uses the green flag to lead Gargantus off of the building and into the streets where he notices Marion, who is also entranced.


With more room to work with on the ground, Iron Man confronts Gargantus again.  While Gargantus smashes a statue in frustration, Iron Man cobbles together some mini-transistors, that he puts inside three magnets, which he explains, “increases their power by a thousand-fold.” Tossing the magnets out to surround the brute, the power of the magnets rip apart Gargantus’ body to reveal it to be a robot underneath.


As soon as Gargantus is destroyed, the people of Glenville wake out of their trance. Iron Man uses the search beam in his chest to reveal a spaceship camouflaged inside the artificial cloud he noticed earlier. They had been controlling Gargantus this whole time in their first step of taking over the world. Iron Man had figured it out when the flag banner had moved, but the wind failed to do anything to the sun blocking cloud. Iron Man hurls more magnets at the spaceship. The panicked aliens inside realize earth has substantially changed since their species last visited some 80,000 years ago. They speed away from earth. Iron Man hopes they never return. He then helps the citizens tear the wall down.


Notes & Observations

First appearance of Iron Man’s golden armor look. It’s still the clunky grey suit from last issue, now spray painted gold. 

First appearance of transistor powered roller skates. These will become a feature of Iron Man’s own.

Transistor powered magnets? Oh, Stan…..😔

First time there is reference to aliens previously inhabiting Marvel earth. It’s just a throwaway line by some garbage aliens (they look like muppets), but it becomes more interesting when we start to find out more about this earth’s past.

Sorry for the lack of activity in the paste few months, life's been more than a bit hectic lately.

Review

Not a strong second outing for Iron Man. The main story and combat are a mess, both structurally and visually. It seems to me they are still trying to figure out how Iron Man works as a protagonist. The montage of his adventures is way more interesting than the plot to this particular story. I’d rather see one of those in full.

Next time

The Fantastic Four take a trip to the moon.

Thursday, February 8, 2018

Marvel Mosaic's Personal Rankings

  1. Amazing Spider-Man 1a
    J. Jonah Jameson & John Jameson debut
    Spider-Man becomes a pariah
  2. Amazing Fantasy 15 [Spider-Man]
    Spider-Man/Peter Parker, May Parker, Flash Thompson, Liz Allan debut;
    death of Ben Parker
  3. Fantastic Four 1
    Fantastic Four, Mole Man debut
  4. Fantastic Four 4
    Sub-Mariner Marvel Age debut
  5. Incredible Hulk 1
    Hulk/Bruce Banner, Rick Jones, General Ross, Betty Ross debut
  6. Fantastic Four 5
    Doctor Doom debut;
    1st time travel story
  7. Amazing Spider-Man 1b
    The Chameleon debuts
    Fantastic Four guest star
  8. Tales of Suspense 39 [Iron Man]
    Iron Man debut
  9. Amazing Fantasy 14 [Mutants]
    Debut of concept of mutants
    Foreshadows themes in X-Men
  10. Fantastic Four 6
    Sub-Mariner & Doctor Doom team-up
  11. Journey into Mystery 85 [Thor]
    Loki, Odin, Marvel's version of Asgard debut
  12. Fantastic Four 9
    Fantastic Four become bankrupt
  13. Journey into Mystery 88 [Thor]
    Thor battles Loki
  14. Journey into Mystery 83 [Thor]
    Thor/Don Blake debut; Stone Men invasion
  15. Fantastic Four 10
    Doctor Doom swaps places with Reed Richards
    1st meta appearance of Stan Lee & Jack Kirby
  16. Fantastic Four 2
    Skrull debut
  17. Fantastic Four 8
    Alicia Masters, Puppet Master debut
  18. Fantastic Four 12
    Fantastic Four battle Hulk
    1st Marvel crossover between main series characters
  19. Fantastic Four 11b
    Impossible Man debut
  20. Journey into Mystery 86 [Thor]
    The Tomorrow Man debut
    1st alternate future story
  21. Journey into Mystery 87 [Thor]
    Thor battles Soviets
  22. Incredible Hulk 6
    Hulk battles The Metal Master
    Final issue of Hulk's original title
  23. Incredible Hulk 5a
    Tyrannus debut
  24. Tales to Astonish 36 [Ant-Man]
    Ant-Man battles with Comrade X
  25. Tales to Astonish 35 [Ant-Man]
    Henry Pym becomes Ant-Man
  26. Fantastic Four 11a
    Fantastic Four read their mail
  27. Incredible Hulk 4a
    US military launches Hulk into space
  28. Strange Tales 107 [Human Torch]
    Human Torch battles Sub-Mariner
  29. Strange Tales 103 [Human Torch]
    1st alternate dimension story
    Human Torch travels to the 5th Dimension
  30. Journey into Mystery 84 [Thor]
    Jane Foster debut
  31. Tales to Astonish 27 [Henry Pym]
    Henry Pym debut
  32. Tales to Astonish 42 [Ant-Man]
    Ant-Man battles criminal Jason Cragg
  33. Incredible Hulk 5b
    Hulk battles Asian commies
  34. Journey into Mystery 89 [Thor]
    Thor battles a mob boss
  35. Tales to Astonish 39 [Ant-Man]
    Ant-Man battles the Scarlet Beetle
  36. Tales to Astonish 38 [Ant-Man]
    Egghead debut
  37. Strange Tales 102 [Human Torch]
    The Wizard debut
  38. Fantastic Four 3
    Miracle Man debut
  39. Tales of Suspense 40 [Iron Man]
    Iron Man paints his armor gold
    Battles Gargantus
  40. Incredible Hulk 2
    Toad Men invasion
  41. Tales to Astonish 40 [Ant-Man]
    Ant-Man battles a criminal named Hijacker
  42. Fantastic Four 7
    1st time Fantastic Four travel to another planet
  43. Incredible Hulk 4b
    Hulk battles Mongu
  44. Tales to Astonish 41 [Ant-Man]
    Ant-Man travels to another dimension
  45. Strange Tales 104 [Human Torch]
    Paste-Pot Pete debut
  46. Tales to Astonish 37 [Ant-Man]
    Ant-Man battles a criminal named Protector
  47. Incredible Hulk 3
    Circus of Crime debut
  48. Strange Tales 106 [Human Torch]
    Human Torch forms The Torrid Twosome
  49. Strange Tales 105 [Human Torch]
    Human Torch & Invisible Girl fight the Wizard
  50. Strange Tales 101 [Human Torch]
    Debut of Human Torch/Johnny Storm's solo adventures
    Human Torch battles a commie spy named Destroyer
  51. Journey into Mystery 90 [Thor]
    Xartan invasion

Monday, January 29, 2018

Tales to Astonish 42


The Voice of Doom!
by
Stan Lee, Larry Lieber, Don Heck & Art Simek
Cover by Jack Kirby


Jason Cragg places a soap box down in the middle of a bustling sidewalk.  He gets on the box to announce to the people that he speaks the truth. This pronouncement has a hypnotic effect on the crowd as witnessed by a nearby Ant-Man. Ant-Man’s helmet cancels out Jason’s hypnotic cadence, as the boisterous man proclaims that Ant-Man is a menace to society. The entire crowd systematically turns against the hero as they take in this speech. Ant-Man is struck wondering who this person is.


Weeks ago, Jason Cragg was a failing radio announcer. Lacking the necessary charisma, his advertisements were going unheeded and the ad execs were on the verge of firing him. At a nearby atomic experimental lab, an incident occurred that released a very minute amount of “electrified particle-ionized atoms” that escaped from the lab and traveled through the studio’s microphone and into Jason’s mouth. Suddenly, he started speaking with more clarity and his radio advertisement for Peppo’s dog food went viral. The next morning, the sales of Peppo's dog food had increased by 300%. At that moment, Jason had decided to quit his advertising job. He realized the power his voice now has, so he can get around just by commanding other people. So, he traveled to Ant-Man’s city, witnessed him foiling a robbery, and decided that he would test his vocal powers against Ant-Man. When he is victorious, the city will be his.


Back to the present, Jason Cragg continues his tirade against Ant-Man. At a police station, we find Ant-Man receiving a certificate for his dedication to helping the community.  Jason bursts into the station, demanding the police arrest him at once. The cops cannot refuse Jason’s hypnotic voice, so they start grabbing for the hero. Ant-Man manages to dodge their fingers. He snaps the rubber band on his certificate to launch himself out a window, onto a pile of summoned ants. Ant-Man hides himself inside a passing boy’s roller skates as Cragg and the cops lose him.


Jason Cragg commands everyone to search for Ant-Man. Easier to hide, Ant-Man stays in his small state to avoid detection. Lingering in a section of town with tall bladed grass, Ant-Man gets unnerved when he sees a mob of people searching for him, wielding sticks with magnets tied to the end so they can grab him by his metal helmet. Hank takes his helmet off, as well as his enlarging & shrinking gas cannisters, before they can nab him.


When Ant-Man’s helmet is found, Jason Cragg announces that Ant-Man is as good as finished. Now with his helmet off, Hank is susceptible to Jason’s voice. Jason compels Ant-Man to reveal himself, which he does. Holding the tiny hero in his palm, Jason tells Ant-Man that he must walk off a nearby pier into the water to drown. Ant-Man complies, walking in a daze towards the edge of the dock as the dazed citizenry condemn him as a criminal.


As Henry Pym leaps to his watery demise, his loyal ants, desperate to save their human leader, converge below the waves to rescue him. Jason and company stare in disbelief as the ants carry Hank back to land. After praising the ants, Hank races back to his secret lab before Jason can strike with renewed wrath.


Days later, the search for Ant-Man continues. Hank has holed up in his secret lab figuring out his next step to stop Jason.  On TV he hears that Jason Cragg is going to make a television appearance that night. Now Henry Pym can enact his plan. He goes to a hospital where he shrinks down and has an ant take him inside. They steal a bottle containing some sort of germ that Hank has the ants carry to the television studio that Jason Cragg will broadcast from.


Inside the television studio, Ant-Man spies a prop gun that will help him carry out his plan to defeat Jason. He has one of the insects carry him up to Jason Cragg’s. As he prepares to deliver his speech,  Jason is told by Ant-Man that the ants have a gun trained on him and if he doesn’t deliver his message to reverse the public’s opinion on Ant-Man, they will shoot.  Jason proceeds to carry out Ant-Man’s message, making the audience like the hero again. After he is finished, Ant-Man reveals to Jason that the gun is a fake, which makes Jason start to speak out against the hero again. This time Jason finds that the power in his voice has been lost. Ant-Man explains that he planted microbes of laryngitis on the microphone he is using. Now that he is losing his voice, his voice is losing its power of persuasion. Jason persists to speak out against Ant-Man, but the audience refuse to listen. They all gang up on Jason instead, whom they proceed to run out of town.

Notes

  • This is another example of hypnotism being a force to be reckoned with in the Marvel Universe.
  • The ants are becoming ever more loyal to Henry Pym. Even without the communicator helmet they help him.
  • In this issue they state that Ant-Man lives in Center City, which will change Manhattan pretty soon.

Review & Rank

This issue was okay. The art was a bit more interesting to look at than the last few Ant-Man stories. There's some more detail in the panels. Jason Cragg is another one-note villain whose motivation is rather spurious. He has a more interesting look than some of the past Ant-Man foes, he gave me a bit of an Orson Welles vibe. I just wish his motivation was something more nuanced than wanting to specifically destroy Ant-Man just to test his powers out.

Next Time: Iron Man gets a new coat of paint

Tuesday, January 9, 2018

Amazing Spider-Man 1b


Spider-Man vs. the Chameleon
by
Stan Lee & Steve Ditko


Peter Parker has figured out how to make some money. He will join the Fantastic Four and they will pay him a top salary to be on their team. Entering the Baxter Building, Peter presses the elevator button to go to their floor. But he suddenly remembers that to use the FF’s private elevator, he needs a special belt beam to access it. He gets the idea to simply crawl up the shaft, however upon opening the doors Peter sees that the elevator car is above him to block his way.


Failing to reach the top floors, Peter decides to take a more direct approach. Donning his Spider-Man costume, Peter climbs up a building across the street from the Baxter Building. As a small crowd gathers to watch, Spider-Man shoots a small strand of webbing at the FF’s 35th floor to walk along.


Inside the Baxter Building, the Fantastic Four are alerted to Spider-Man's presence by an alarm. The moment he dives in through a window, Reed lowers a large plexiglass chamber to trap the intruder. Spider-Man uses his strength to force the doors apart. Once free, he starts attacking the group. Dodging a punch from Thing, Spider-Man tosses him into the Human Torch. Reed stretches to grab him, but Spider-Man entangles his arm in a web cocoon.


With Spider-Man's attention diverted, Susan Storm sneaks up behind the lad to ensnare him in rope. Just as she tosses the lasso, Spider-Man’s warning sense kicks in. He spins her around to make her dizzy, when her brother the Human Torch blocks Spider-Man's way. He encircles Spidey in his own flame lasso. Spider-Man leaps to the ceiling; when he lands, Reed stretches into a large wall to bar Spider-Man from attacking anyone else and finally asks Spider-Man what he is doing. Spider-Man explains his money situation and figures they could pay him to be on the team. He was just giving them an exhibition of his worth. The FF explain that they are a non-profit group and any money they make goes strictly into scientific research. Before they can figure out a way to help him, Spider-Man takes off.


At a defense instillation on the edge of town, the Chameleon has taken on the guise of a janitor he has hogtied in a closet. As the janitor, Chameleon has access to more restricted areas of the facility without raising suspicion. Spotting the professor he is after, Chameleon changes yet again into a Professor Newton disguise. Having stolen the professor’s identity, Chameleon sneaks into a lab where he steals some files. After returning to his hideout, with plans to sell the files to the soviets, he hears on the news a report of Spider-Man’s criminality. He makes a plan to have Spider-Man be his patsy when he steals the other half of the defense plans. Chameleon rigs up a device to contact Spider-Man through his spider sense.


While at a spider exhibition, Peter receives Chameleon’s broadcast. He wants to meet Spider-Man at the Lark building to offer him some money. Peter can’t turn it down, so he quickly changes into Spider-Man to meet Chameleon on the rooftop. As Spider-Man travels, Chameleon has already broken into the building in disguise and stole the rest of the defense plans dressed as Spider-Man. He flies away in a helicopter that was parked on the roof, just as the real Spider-Man reaches the building. As soon as he does, two security guards burst through the roof access with guns drawn. Spider-Man quickly realizes he’s been set up. He webs the guards to the roof door, before swinging off towards the helicopter.


Spider-Man chases down the Chameleon. He shoots his web from both arms extended to create a sling that he can launch himself from into the air in the direction of the helicopter. Flying over a dock, Spider-Man makes a web parachute to safely land in a docked motorboat. He drives the boat out to the sea, where he sees the helicopter approaching an emerging soviet submarine. Spider-Man webs the hatch to the sub shut. The soviets, realizing they have been spotted, quickly submerge before they can carry through on the deal. Spider-Man springs up off the boat and hit the helicopter with his web. As Spider-Man dangles from the webline, Chameleon fails to shake him loose. Spider-Man lunges up to the door of the helicopter and pulls it open to commandeer the vehicle. Spider-Man and Chameleon land before the guards on the rooftop. As Spider-Man presents Chameleon as an imposter, the criminal tosses a smoke grenade to bypass the guards. He quickly finds a private room where he can change into a disguise of one of the security police.


As Spider-Man and the cops search the building, Chameleon sneaks right past them. Spider-Man’s spider sense kicks in, alerting him to the deception. Just as Spidey spots the phony cop, Chameleon turns off the lights to add to the confusion. Spider-Man attempts to shoot web at him, but finds he is out of web fluid. Leaping at the shadowy figure, Spider-Man is again played the fool. When the cops get the lights back on, the phony cop claims that the Chameleon has turned back into Spider-Man. Panicked, Spider-Man leaps out of the building before the cops can accost him. But not before he tears a piece of Chameleon’s police uniform to reveal the Spider-Man costume lying underneath. The cops realize their mistake and arrest the real Chameleon.


Spider-Man races back home with tears in his eyes, wishing he had never got his spider powers. They only seem to make things worse. The Fantastic Four read the evening newspaper, wondering if they will have to be wary of Spider-Man in the future.



Notes

  • First time The Fantastic Four & Spider-Man meet.
  • First introduction of the Chameleon. A clever spy with Soviet connections, who uses disguises as his gimmick. He’s reminiscent of the Destroyer from Strange Tales #101, but handled so much better.
  • Throughout this entire issue, Peter Parker keeps being referred to as Peter Palmer.
  • Unintentional foreshadowing of Peter’s career as a photographer. When the crowd gathers under the Baxter Building, there is a photographer who mentions getting a bonus for a shot of Spider-Man
  • It’s been previously established in the Marvel Universe in the Ant-Man stories, that ants communicate through their antennae, so apparently spiders have a similar trait and that is what Chameleon taps into to get Spider-Man’s attention.
  • First time we see Spider-Man using his parachute webbing. I wonder if he got the idea from the parachute from his previous adventure in this issue.
  • First instance of Spider-Man running out of web fluid as a limitation to his abilities.


Review & Ranking

This a good, fun Spider-Man romp, but it feels a little cramped with only 10 pages to tell it. The Fantastic Four meeting and the Chameleon part are just only tangentially connected. They are both done really well for what we are given. The Chameleon feels like just another soviet spy villain, but there is something about him that is a bit more intriguing than the typical ones we’ve seen.

Next Time: Ant-Man succumbs to hypnotism.

Tuesday, January 2, 2018

Amazing Spider-Man #1a

Spider-Man
by
Stan Lee & Steve Ditko


Still distraught over the murder of his beloved Uncle Ben, Peter Parker throws his Spider-Man costume across the floor of his room; wishing he didn’t have to live with the incredible guilt of being partly responsible for his death. To make matters worse, when he comes down the stairs, he finds his Aunt May at the door with their landlord. With Ben dead, May has had trouble making ends meet and finds herself short of the month’s rent. He tells his Aunt that he will quit school to find a job, but May talks him out of it. His uncle had always dreamed of him graduating and becoming a scientist. As they sit down to breakfast, Peter briefly entertains the notion of using his newly obtained spider powers to rob banks for money, but realizes he couldn’t handle it if Aunt May found out he was a criminal. Instead, he will call his agent and book a performance as Spider-Man.


A few days later in chemistry class, Peter’s fellow students read about Spider-Man’s upcoming performance that night. When they all make plans to see him, Peter tells them to count him out, making them all continue to think he’s nothing but a square. That night, Spider-Man shows off his abilities before an awestruck audience. After the show, Spider-Man discusses his paycheck with the producer. The producer needs Spider-Man’s real name in order to make a legitimate check for tax purposes. Spider-Man refuses and has him make the check out to “Spider-Man.” But as predicted by the producer, when Spidey goes to cash his check at the bank, the teller refuses without proper identification.


In the offices of the newspaper publisher the “Daily Bugle,” the editor-in-chief, J. Jonah Jameson, is hammering furiously away at a typewriter. He is writing a scathing editorial to discredit Spider-Man. The next night when Spider-Man returns to the studio, the producer, who has read the article, says that Spider-Man is finished after this piece. As the days follow, Jonah continues his tirade against Spider-Man; performing a series of lectures around the city on how much of a menace this vigilante is, what a bad influence he is to children and that he should be outlawed. He proclaims that they should be respecting real heroes, like his own son astronaut/test-pilot John Jameson. 


While public opinion turns on him, Peter picks up a paper in search of a part-time job that he can actually get paid for. While failing to pick any up due to his small stature, he notices Aunt May. He carefully trails her to see what she is up to. She arrives at a pawn shop where she pawns off several pieces of jewelry in order to get money for the month’s rent. Overhearing about John Jameson’s latest mission from a newsie, Peter finally snaps and starts pounding his fists against a building wall. Upset that he can’t help provide for the only family he has.


The next day, Peter decides to watch John Jameson’s latest test mission. Jonah appears to see his son off before he takes off for his next courageous endeavour inside a rocket capsule. The capsule successfully launches up into orbit. However, as soon as it hits orbit, a small piece of equipment that operates the forward guidance system breaks loose and floats away. Unable to control the flight, John Jameson’s capsule starts spinning in erratic patterns because it cannot maintain its orbit now. Jonah grows anxious at mission control as the ground team are alarmed to the situation. They determine that if John is not rescued, the capsule will just slowly sink back down and eventually crash into the earth. After the ground team attempt and fail to rescue John with a steel net, Peter (who has been witness to everything) realizes he has a responsibility and grabs his costume.


After donning his gear, Spider-Man sneaks into the control base. He quickly finds the office of the general in charge of the mission along with Jonah. Spider-Man swears to them that he will rescue John. While the general agrees to use Spider-Man’s help, Jonah berates him for just trying to gain publicity for himself. Spider-Man takes the unit and quickly leaps back out the window.


Outside on the base, Spider-Man shuts an alarmed guard up with his web as he races to the runway. He commandeers a plane and a pilot to take him up towards John’s careening capsule. When they reach the right altitude, Spider-Man climbs out of the plane and braces himself on the nose as the capsule comes towards them. As it passes by, Spider-Man times his webbing perfectly, snagging the capsule and letting it pull him away from the plane. Now dangling from his webbing, Spidey climbs the web rope to reach the metal hull. The capsule starts to drastically drop in altitude as soon as Spider-Man sticks to its side, leaving Spider-Man to wonder if he has time to pull this rescue off before they are both killed.


Spidey quickly moves to the head of the capsule. Almost immediately, he finds the right place to attach the new unit. With the capsule finally back under John’s control, the astronaut launches the vessel’s parachute so he and Spider-Man drift back safely to earth. Ground control report the safety of his landing to Jonah, while Spider-Man makes himself scarce. Being a bit conceited with the successful rescue, Spider-Man worries about embarrassing himself in front of the adoring public. He bets even Mr. Jameson would hire him now.


The next day, Peter realizes he couldn’t be more wrong. Reading the day’s edition of the Daily Bugle, Peter finds out Jonah is now calling for Spider-Man’s arrest and prosecution. As he continues his lecture circuit, Jonah proclaims that the entire incident with his son and Spider-Man was perpetrated by the vigilante himself, in order to gain notoriety. J. Jonah Jameson declares Spider-Man a menace. As Peter walks home from school, he can’t help but overhear the resentment in the voice of the public towards Spider-man. Under pressure from the Daily Bugle, the FBI put out a notice for Spider-man’s capture. When Peter returns home, even his Aunt May is worried about that horrible Spider-Man. Peter is left more anxious than ever, wondering if he really should take up a life of crime if this is what everybody already thinks of Spider-Man.

Notes 

The first Spider-Man ongoing series! Yay!



The first appearance of J. Jonah Jameson & the Daily Bugle. The irony of a man who uses Spider-Man’s up and coming popularity to completely derail it for his own gain in popularity.






However, Spider-Man does display a tendency to become overly conceited when he succeeds at things. I think it smartly reflects his anti-social life as Peter Parker at this early stage in his life. Once he puts that mask on, he can be “Spider-Man.” I think over the course of Ditko’s run, it’s about Peter finding the right balance in his personality with the mask on and off because he starts gaining friends which culminates in him going to college and meeting the Osborns, Gwen Stacy and Mary Jane. Maybe a tad controversial, but I think it makes sense that around that time John Romita takes over the art, because Peter/Spider-Man largely becomes more comfortable with who he is. Things start looking a little more romantic, which is what Romita mainly brings to the book after his work in the teen romance genre. 
Peter has what seems like a throwaway line about Jameson hiring him on page 13, but this becomes true in the next issue. And becomes a central part of the life of Peter Parker.

Peter feels the tug of power & responsibility when John’s capsule goes awry and he is spurred into action. It isn’t directly mentioned, but you can tell by the way his fist clenches his costume at the bottom of page 8. In the comics, Uncle Ben never actually says the “great power/great responsibility” line to Peter, it was in a caption box at the end of the origin story. It was only later in the 90’s cartoon series and then picked up in the Sam Raimi movies that it became a thing Ben had said. It may have been retconned later at some point that I am not aware of, but he definitely did not say it in the original origin.





Aunt May pays her rent. That’s the only plot she is given. In the early issues, May seems more like an atmosphere than an actual character with agency. It’s an interesting dynamic between her and her nephew, both of them sort of struggling to make things work after their tragedy. 



John Jameson has a much different journey ahead of him. In the 70’s he travels to the moon, where he finds a strange moon rock that turns him into a werewolf and goes on an adventure in another dimension called Other-Realm as Man-Wolf. For those interested, look for Creatures on the Loose #30-37.







Review & Ranking

This is a pretty great place to start with Spider-Man if you are 60’s reader and missed his Amazing Fantasy #15 appearance & origin. If you are a new current day reader, have seen Spider-Man’s origin retold in so many places already you don’t care about seeing it yet again, this is a key place to start. There’s a lot of emotional depth here that we haven’t seen very much of in previous Marvel stories I’ve covered. The pacing is great and the plot is pretty simple. There are no stupid aliens or commies/crooks in this one to drag the story down. It’s just Spider-Man fixing an incident and then getting blamed for it. The characters are all well realized, interesting and it ties together in a neat little loop at the end where Peter is worse off than how he began.

For all of those reasons, plus the cool, paranoid artwork of Steve Ditko, I think this story takes the top spot from its predecessor, Amazing Fantasy #15. 

Next Time: Spider-Man takes on the Fantastic Four and gets his very first supervillain!

Friday, December 29, 2017

Tales to Astonish 41


Prisoner of the Slave World!
by
Stan Lee, Larry Lieber & Don Heck



Henry Pym is attempting to visit Paul, a colleague friend of his. When he rings the doorbell to his lab, there is no answer.  Worried that his fellow scientist may have taken ill, Henry uses his shrinking gas and dons his Ant-Man costume to investigate. He summons an ant to carry him up to the door’s keyhole. Once through, Ant-Man searches for his missing friend. He finds it incredibly odd that all the windows and doors are locked from the inside. Paul seems to have simply vanished. A few nights later, still distraught over his missing friend, Henry sees a news bulletin on TV. Eminent scientists have suddenly gone missing, baffling both the police and the FBI. Henry suspects that he will soon be targeted as well, but he'll be ready as Ant-Man. 



Several days later, Henry Pym is approached in his lab by a man claiming to be a new window washer. He wants to give Henry’s lab a free service and if he is satisfied with the job, he’ll use him regularly. As Henry returns to his own work, the window washer sneaks up behind him to pour a pail full of paralyzing liquid over him. The window washer watches as the paralyzing agent renders Henry Pym physically speechless. 



At the same time in another dimension, a green, alien tyrant named Kulla has captured several scientists from earth to create weapons for him. He demands that they make him an electro-death ray that he can use against the forces that have lay siege to his tower. When one scientist refuses, Kulla has him sent to a dungeon. Back in the regular dimension, Kulla’s human accomplice has finished securing a helmet to Henry Pym and his own head. Upon activation, the two men vanish and reappear in Kulla’s tower. The con-man has been promised payment for all of the scientists he has kidnapped. 



Henry Pym finally meets with his friend Paul and several other captives. After some quick reminiscing, Pym starts causing a commotion to get Kulla’s attention. Two of his guards grab Pym and carry him off to a solitary confinement, which is what he wanted all along. All by himself, Henry once again shrinks down to become Ant-Man. 



As Henry Pym changes, he is approached by this world’s version of insects. He attempts to communicate with them after putting on his Ant-Man helmet. When that fails, the strange alien insects start attacking. In the midst of their brawl, Ant-Man determines the frequency of the insects’ antennae on his helmet. Successful, Ant-Man is able to command the creatures just as easily as the ants back home. Having gained his new allies, Ant-Man escapes under the prison door to rescue his peers. 



Heading towards the main room where the scientists are, Ant-Man accidentally trips an alarm. With everyone aware of his presence, Kulla’s men use their boots to stomp on the tiny hero. Ant-Man is able to duck between the ridges of leather on the bottom of a stomping boot. From there, he cuts a hole in the sole to hide inside the alien’s boot. The aliens search for the missing hero, when suddenly he pops out of the boot. Running from the guards, Ant-Man reaches his fellow scientists who gather him up and hide him in a coat pocket. 



While the guards question the scientists, Ant-Man uses his helmet to summon the insects. With the aliens distracted by questioning Paul, Ant-Man sneaks out of the pocket. He hops onto the floor, but is immediately spotted. Kulla takes out a vial of the paralyzing agent and dumps it on Ant-Man. Ant-Man is stuck in place as Kulla approaches with a mallet in his hand. 



As Kulla prepares to swing his mallet down on Ant-Man, Kulla is hit by his own death ray. When the chemicals wear off, Ant-Man reveals that while he was paralyzed, he was still able to communicate with the insects through his helmet. He commanded them to activate the death ray and blast Kulla before he killed him. Still under his command, the insects release the locked door, allowing the forces outside to storm the tower. They quickly overcome the guards, as the free scientists praise Ant-Man. 



While Ant-Man sneaks off to change back into Henry Pym, the con man reappears with a new human captive. The scientists surround the criminal and deride him for hurting his fellow man. The con man proclaims that they can’t do anything about it since they aren't police. Interjecting, the aliens promise to keep him a prisoner on their world. With that settled, the scientists use a dimensional transporter to return to earth. Basking in their freedom, the only question left on the scientists’ minds is how Ant-Man got to the dimension to rescue them. Henry chimes in that perhaps it doesn't matter, so long as he is always there when needed. 




Notes

Unstable Molecules - This is the first time we find out Ant-Man’s costume, like the Fantastic Four’s, is made with Unstable Molecules

Henry Pym facilitates the death of Kulla in this story. This shows he is not above killing if necessary. 

Review & Ranking

It’s a pretty boring issue. This story isn’t anything we haven't seen before. There are a few bits I like; the design of the alien bugs is pretty good and otherworldly. Ant-Man’s chase scene wasn’t too bad, but we've seen better on this title. I don't like the alien designs. Kulla is just another generic green alien tyrant who has very little agency beyond that. I’m more intrigued by the con man character, but we don't learn very much about him. I wish we got to spend a little time with the resistance forces closing in on Kulla, but this story was so short it didn't have time at only 10 pages long. 

I am placing this one under Incredible Hulk’s story with Mongu. Both are very short and don’t make a whole lot of sense, with only a few interesting panels here and there. 

Next Issue: Spider-Man returns with his own series!